| Dance Events |
Date |
Dance Works |
|
Richard
Alston Associate Choreographer of Ballet Rambert
London School of Contemporary Dance breaks last
links with Martha Graham
London Contemporary Dance Theatre begins large
scale touring
Wayne Sleep founds Dash Dance Co |
1980 |
Death
and the Maiden (North), Something to Tell (Davies),
The Singing (Bannerman) for LCDT
Bell High, Rainbow Ripples (Alston),
Preludes and Song (Bruce) for Ballet Rambert
Hot Shoe Show (Sleep) |
| Robert North becomes
Artistic Director of Ballet Rambert until '86
Siobhan Davies founds own company
Phoenix Dance Company founded (Leo Hamilton, Donald
Edwards, Villmore James)
Emilyn Claid becomes Director of Extemporary Dance
Theatre and moves it away from contemporary dance into more adventurous
post-modern choreography.
Lloyd Newson joins Extemporary Dance Th. As dancer
and choreographer until '85 |
1981 |
Counter Revolution
(Gordon) for Extemporary
De Gas (Spink)
Soda Lake (Alston) solo with Michael Clark
Dances of Love and Death (Cohan),
Free Setting (Davies) for LCDT
Rite of Spring (Alston),
Ghost Dances (Bruce),
Lonely Town, Lonely Street (North) for Ballet Rambert
Spiked Sonata (Wagoner) |
| Second Stride founded
by by Richard Alston, Ian Spink, Siobhan Davies (a pun on Alston's
earlier company Strider for which Davies had danced)
Christopher Gable opens Central School of Ballet |
1982 |
Carnival (Davies)
Breaking Images (Newson)
Chamber Dances (Cohan) for LCDT |
| David Bintley becomes
company director of Sadler's Wells Royal Ballet
Robert Cohan, Siobahn Davies and Janet Eager jointly
direct London Contemporary Dance Theatre (LCDT) |
1983 |
|
| Michael Clark forms
his own Dance Co. with Ellen van Schuylenburch
Lea Anderson forms Cholmondeleys |
1984 |
Further and Further
into Night (Spink) based on Hitchcock's Notorious
Silent Partners, New Galileo (Davies)
Beauty, Art and the Kitchen Sink (Newson)
Metamorphosis (Bintley) |
| |
1985 |
The Flowers of the
Forest, The Sons of Horus (Bintley)
Our caca phony H. our caca phony H. (Clark)
Field Study (Gordon) for Extemporary
Dragon, Baby,Baby,Baby, The Cliches and the Holidays
(Anderson)
Flying Lines (Butcher)
Bridge the Distance (Davies) for LCDT
Land (Bruce) for London Festival Ballet
An Occasion for Some Revolutionary Gestures (Wagoner)
for Ballet Rambert
Flee as a Bird (Wagoner) for Janet Smith and Dancers |
| Lloyd Newson founds
DV8 Physical Theatre with Nigel Charnock, Michelle Richecouer and
later Liz Ranken
Bruce leaves Rambert for London Festival Ballet
Richard Alston becomes Artistic Director of Ballet
Rambert converts name to Rambert Dance Company and develops new
repertory based on Merce Cunningham technique.
London Contemporary Dance Theatre loses its artistic
edge |
1986 |
Pier Rides (Claid)
a single evening length work with jazz score from Mike and Kate
Westbrook
Bosendorfer Waltzes (Spink) based on The Firebird
No Fire Escape in Hell (Clark)
Marina (Anderson)
Touch the Earth (Butcher)
Ceremonies (Bruce) for Rambert
Galanteries,The Snow Queen (Bintley) |
| Adventures
in Motion Pictures (AMP) founded by ex-Laban centre graduates Emma
Galdstone, David Massingham, Matthew Bourne
Christopher Gable becomes artistic Director of
nbt after taking lead in Simple Man, concentrates on 'theatre' as
much as 'ballet'.
Arc Dance Co. founded by Kim Brandstrup |
1987 |
Bach and
Offenbach (Gordon) for Extemporary
Weighing the Heart (Spink)
Swansong (Bruce)
A Simple Man (Lynne) for nbt
Pulcinella (Alston)
My Sex, Our Dance, Deep End, My Body, Your Body(Newson)
Because We Must (Clark)
Swamp (Clark) for Ballet Rambert
Does Your Crimplene Go All Crusty When You Rub?
(Bourne)
Fish Wreck, No Joy (Anderson)
Video Life (Cohan)
Allegri Diversi (Bintley) |
| Siobhan Davies reforms
her own dance company.(SDDC)
Ian Spink becomes sole artistic director of Second
Stride.
Lea Anderson founds Featherstonehaughs
Second Stride begin 3 year residency in Basildon,
Essex |
1988 |
Still Life at the Penguin
Café (Bintley)
The Amazing Adventures of Don Quixote (Gable /
Pink /Petipa)
White Man Sleeps, Wyoming (Davies)
Dead Dreams of Monochrome Men (Newson)
A Mouthful of Birds/Fugue (Spink/Churchill)
Suddenly Out of the Blue (Various/Extemporary)
Dancing and Shouting (Spink)
I am Curious Orange (Clark) |
| Extemporary Dance Theatre
announce new policy moving from 'abstract exploration of movement'
towards 'dance as a theatrical tradition of performance'
Ricochet Dance Co. founded by Kate Gowar and Karin
Potisk to create work with the leading contemporary choreographers.
Robert Cohan gives control of LCDT to Dan Wagoner
after 21 years of Graham-based, socio-theatrical style dominating
the repertory. |
1989 |
Hobson's Choice (Bintley)
Cover Him With Grass (Davies) |
| |
1990 |
Two Falling Too Far
(Murphy) with Sue Cox
Longevity (Lambert) for Phoenix
Spitfire (Bourne)
Giselle (Coralli / Perrot / Gable)
Different Trains (Davies) to Reich score
Roughcut (Alston) for Rambert to Reich score. |
| Extemporary Dance Theatre's
grant is withdrawn and company disbands
V-tol founded by Mark Murphy
CandoCo founded by Celeste Dandeker and Adam Benjamin
|
1991 |
Rooster (Bruce)
Romeo and Juliet (Gable / Moricone)
Crash & Burn, Time Spent in the Company of
Bad People (Murphy)
For Starters (Benjamin / Dandeker / Hewison)
The Edge of the Forest (Marks) for CandoCo
Cantalope Reel (Benjamin)
Arctic Heart (Davies) |
| Mark Baldwin Dance
Company founded
Random Dance Company founded by Wayne McGregor |
1992 |
The Hard Nut (Morris)
Making Maps (Jeyasingh)
Headshot (Murphy)
Town & Country (Bourne)
White Bird Featherless (Davies)
Winnsboro Cotton Mill Blues (Davies) for Rambert
A Christmas Carol (Gable / Moricone)
Swan Lake (Gable / Wayne)
Christy Don't Leave so Soon, Human Race (Benjamin,
Dandeker / Parkinson) |
| |
1993 |
32 feet per second
per second (Murphy)
The Nutcracker, Double Bill (The Infernal Gallop,
Percy's of Fitzrovia) (Bourne)
Deadly Serious (Bourne) a tribute to Hitchcock
Wanting to Tell Stories (Davies)
Flying in the Face of.. (Benjamin / Parkinson)
Back to Front with Sideshows (Claid) To Please
the Desert (Falk) for CandoCo |
| Christopher Bruce takes
over as Artristic Director of Rambert Dance Company
Richard Alston starts his own company |
1994 |
Strange Fish (Newson)
Rumours, Visions, Lachrymae (Alston)
Highland Fling (Bourne) based on La Sylphide
The Glass Blew In (Davies)
Between the National and the Bristol (Davies),
Once Upon a Time in England (Singh-Buller), A Flock Apart (Benjamin)
for CandoCo |
| London Contemporary
Dance Theatre scaled down into Richard Alston's Dance Co.
Retina Dance founded by ex-Random Dancers Sacha
Lee and Filip Van Huffel |
1995 |
Enter Achilles (Newson)
In the Privacy of My Own, Where Angels Fear to
Tread (Murphy)
Swan Lake (Bourne)
The Brontes (Lynne / Gable)
Wild Translations, The Art of Touch (Davies)
Cantador (Falk), You Are Now Entering the State
of Love (Parkinson) for CandoCo |
| |
1996 |
Trades and Trusts (Botelho),
Across Your Heart (Claid) for CandoCo
Overexposed (Van Huffel)
Battery, Crave (Lee / Van Huffel) |
| Janet Smith dancers
disbanded
Jeremy James founds own company after DV8 (95-96)
SDDC (92-95) and Rambert Dance (87-9) |
1997 |
Labyrinth (Baldwin)
Gaps, Lapse and Relapse (James) for Rambert Dance
Extra Minty, Juice, My Big Pants, Keith (James)
Brisk Singing (Alston)
Giselle (Coralli / Perrot / Gable / Pink)
Flesh and Blood (Anderson)
Castle Blanca, Blue Heart (Murphy) latter is for
Churchill's play at Royal Court
Cinderella (Bourne)
Bank (Davies)
Millenarium (water) (McGregor)
Pit (Lee / Van Huffel) |
| Christopher Gable dies |
1998 |
Four Scenes (Bruce)
Out on the Windy Beach (Anderson)
The Hunchback of Notre Dame (Gable / Pink)
Running Scared,
and nothing but the truth
(Murphy)
Eighty Eight (Davies)
Tweeling (Lee / Van Huffel)
Out of Here (Arden / Houben), Deuce (Dandeker and
Sue Smith) for CandoCo |
| Stefano Giannetti appointed
as artistic director of nbt
Robert North appointed artistic director for Scottish
Ballet |
1999 |
The Soul Cages (Spink)
a mixed media collaboration
Sportorama, Smithereens (Anderson)
The Happiest Day of My Life (Newson)
More Curly (James)
Sub Culture (James) collaboration with film-maker
for a nightclub piece
Without Trace (Murphy)
Tonic (Sue Smith) for CandoCo
Wild Air (Davies)
Fine Frenzy (Jeyasingh) score by Django Bates
Thirteen Different Keys (Davies) collaboration
with Artangel and Royal ballet dancers
Dracula (Pink / Gable)
Sulphur 16 (fire) (McGregor)
Overexposed v.2 (Van Huffel)
Hard Shoulder (Lee / Van Huffel)
God's Plenty (Bruce)
Lifeforms: Generic Signatures (Booth), Starling
Scatter (Elkins) for Union Dance |
| AMP begin three year residency at
the Old Vic Theatre
Siobahn Davies announces an 18 month break to reconsider
the way she works with the company |
2000 |
Cheese, Parts and The
Day I Stopped & Floppy Affordable (James)
Great Expectations (Giannetti)
Car Man (Bourne)
Thimble Rigging (Lawrance) for R.Alston Dance Co.
to score by Scott Walker
I Hastened Through My Death Scene to Catch Your
Last Act (De Frutos), Sunbyrne (Elkins) for CandoCo
Of Oil and Water (Davies)
The Signal of a Shake (Alston)
Aeon (earth/air) (McGregor)
Oxygenius (Lee / Van Huffel) |
| Mark Murphy disbands
V-tol to concentrate on film
Stefano Giannetti resigns and David Nixon appointed
Artistic Director of nbt
Phoenix Dance Co. loses funding, artistic director
Thea Nerissa Barnes leaves, company disbanded to be re-shaped.
New York choreographer Stephen Petronio creates
first dance piece to reflect impact of September 11th for Ricochet.
David Linton's score being composed in New York as it happened,
contains announcements and dead frequency static from radio.
Rambert Dance accused of being trapped in history,
Bruce merely recycling the same ideas in "feel-bad ballets" |
2001 |
Water Music, Strange
Company (Alston)
Weak Dance Strong Questions (Burrows)
3 (Anderson)
digit01 (McGregor)
At Any Time (Bonachela) to Bach Cello Suites, Twin
Suite 2 (Wilkinson) for Rambert
Hurricane for David Hughes (Bruce) to Bob Dylan.
duo:logue (McGregor) with Royal Ballet
toxin (Van Huffel)
Grinning in Your Face (Bruce)
House of Magnet (Petronio) for Ricochet
Elegy (Brandstrup) for Arc
Codex (McGregor) for Ben Ash in First Class Air
Male |
| Robert North to leave
Scottish Ballet replaced by ex-Royal Ballet Ashley Page
Christopher Bruce leaves Rambert replaced by ex-
Rambert Mark Baldwin. |
2002 |
Madame Butterfly ,
I Got Rhythm (Nixon)
Masurca Fogo (Bausch)
Play Without Words (Bourne)
PreSentient (McGregor) for Rambert
Nemesis (McGregor) for Random
Tryst & Polyphonia (Christopher Wheeldon)
Torsion (Russell Maliphant) for George Piper Dances.
Double Concerto (Christopher Hampson) |
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